Music of the 1970s
Music of the 1970s
An encyclopedic panorama of a decade of diversity and creative daring
Introduction
The music of the 1970s represents one of the richest and most diverse periods of musical creation in the history of the twentieth century. The heir to the utopias and experiments of the late 1960s, this decade saw radically opposing aesthetics coexist — and frequently clash: progressive rock with its symphonic ambitions, disco with its flamboyant hedonism, punk with its furious nihilism, deep soul and electric funk. Never before had popular music been so plural, so creative, and so politically engaged.
In the 1970s, entire albums became total works of art, conceived to be listened to from beginning to end, in a precise order, as sonic journeys in their own right. The Dark Side of the Moon by Pink Floyd (1973), Hotel California by the Eagles (1976), and Songs in the Key of Life by Stevie Wonder (1976) all exemplify this unprecedented artistic ambition. At the same time, the 7-inch single continued to reign over the charts, carrying dance hits that would endure across the decades.
Historical and cultural context
The 1970s opened on the ashes of the 1960s’ illusions. The Vietnam War was deeply dividing America, the civil rights movement had left lasting scars, and the oil shock of 1973 plunged Western economies into crisis. It was in this climate of collective disenchantment that a music emerged that was simultaneously a form of protest and a form of celebration — seeking both profound meaning and the saving oblivion of the dance floor.
The hippie counterculture was falling apart, yet some of its ideals — freedom of expression, rejection of convention, spiritual quest — left a lasting imprint on musical creation. Music festivals, popularised by Woodstock in 1969, became unmissable events: Glastonbury held its first ticketed edition in 1971, whilst Reading and Isle of Wight established themselves as cathedrals of rock. In France, the first Zéniths and major stadium tours redefined the relationship between artists and audiences.
“Rock and roll is here to stay.” — Such was the spirit of the 1970s, a decade in which popular music definitively asserted itself as the major art form of its era, both a reflection of and a driving force behind the social transformations then underway.
FM radio, whose reach spread throughout the 1970s first in the United States and then across Europe, played a pivotal role in popularising new musical genres. It offered artists a freedom of programming impossible on conventional AM broadcasting, enabling the airing of lengthy tracks, B-sides, and entire albums.
Rock in all its forms
🎸 Hard Rock and the birth of Heavy Metal
The 1970s were, above all, the decade of triumphant hard rock. Led Zeppelin laid down an extremely amplified blues, blending mysticism with virtuosity. Black Sabbath invented heavy metal in the suburbs of Birmingham. Deep Purple fused rock and classical music with extraordinary power. These British groups laid the foundations of an aesthetic that would dominate the following decade.
🎹 Progressive Rock
Progressive rock — or prog rock — represents one of the most ambitious musical experiments of the decade. Groups such as Pink Floyd, Genesis, Yes, Emerson, Lake & Palmer, and the French band Magma pushed the boundaries of the song format, producing instrumental suites lasting twenty or thirty minutes, drawing inspiration from classical music, jazz, and science fiction. The album became a fully-fledged conceptual work in its own right.
🌵 Southern Rock and Country Rock
In the United States, Southern Rock emerged with groups such as Lynyrd Skynyrd and the Allman Brothers Band, fusing Delta blues, country, and electric rock in a distinctly American aesthetic. Meanwhile, the Eagles brought country rock from California to the pinnacle of international popularity with Hotel California (1977), one of the best-selling albums of all time.
🏟️ Arena Rock and Glam Rock
Glam rock — glitter rock — exploded in England at the start of the decade with David Bowie (in his Ziggy Stardust persona), T. Rex, Roxy Music, and Slade. These artists played on androgyny, cross-dressing, and a glittering aesthetic that prefigured the sophisticated imagery of the 1980s. Queen, for their part, invented arena rock with their collective anthems and spectacular concerts, culminating in the unforgettable Bohemian Rhapsody (1975).
Disco fever
No genre embodies the 1970s more perfectly than disco. Born in the underground clubs of New York frequented by African-American, Latino, and LGBTQ+ communities, disco emerged as a music of liberation, celebration, and identity affirmation. With the opening of the legendary Studio 54 in New York in 1977, it became the symbol of an entire era.
The Bee Gees were its worldwide ambassadors: the soundtrack to Saturday Night Fever (1977), directed by John Badham and starring John Travolta, sold over 40 million copies and stands as one of the most popular albums in history. Donna Summer, dubbed the “Queen of Disco”, Gloria Gaynor, and Chic (with Nile Rodgers and Bernard Edwards) defined the sound of a decade with their lavish productions, sophisticated string arrangements, and irresistible four-to-the-floor rhythms.
In France, disco took on a particular flavour of its own: Claude François, who died tragically in 1978, was one of its most talented French representatives, alongside Cerrone, whose electronic instrumental productions anticipated the house music of the 1980s.
Soul, Funk and R&B
The 1970s represent the golden age of soul music and funk. Stevie Wonder, blind since childhood, produced between 1972 and 1976 a series of albums considered among the greatest in the history of rock and soul: Talking Book, Innervisions, Fulfillingness’ First Finale, and Songs in the Key of Life. Master of every instrument and every recording technique, he embodied the total artist.
James Brown, already at the summit since the 1960s, developed funk to its ultimate expression, influencing entire generations of musicians. Sly & the Family Stone, Earth, Wind & Fire, and Parliament-Funkadelic (George Clinton) brought the genre to an international audience, combining irresistible grooves, sumptuous brass arrangements, and committed Afrocentric messages. Marvin Gaye, with his masterpiece What’s Going On (1971), demonstrated that soul could be both artistically ambitious and politically conscious.
The punk revolution
In 1976–1977, a cultural explosion shook the music world: punk rock. Confronted with the bourgeois complacency of progressive rock and the excesses of disco, disaffected youth from British and New York suburbs screamed their rage with three guitar chords, provocative lyrics, and a deliberately aggressive aesthetic. The Sex Pistols, with their sole album Never Mind the Bollocks (1977), produced one of the most incendiary works of the century. The Clash added to it a sincere political commitment and an openness to Jamaican music.
In the United States, New York proto-punk had prepared the ground with The Ramones, Patti Smith, Television, and the New York Dolls. Punk would rapidly mutate into post-punk, opening the way to the new wave of the 1980s with groups such as Joy Division, The Cure, and Siouxsie and the Banshees, all of whom were born in the second half of the 1970s.
International pop and great songwriters
The 1970s were also the golden age of the singer-songwriter. Elton John produced a succession of successful albums and singles with astonishing consistency, drawing on the lyrics of Bernie Taupin. Billy Joel established himself as the voice of ordinary America. Carole King, with the album Tapestry (1971), redefined the format of the female pop album. Cat Stevens, James Taylor, and Simon & Garfunkel continued their careers in a deeply sensitive folk and acoustic vein.
In Sweden, ABBA quite literally conquered the entire planet following their victory at the Eurovision Song Contest in 1974 with Waterloo. The group embodied the pop of the 1970s better than any other: unstoppable melodies, sophisticated arrangements, impeccable production. In Germany, Kraftwerk invented electronic music as we still know it today, anticipating by a full decade the emergence of techno, synth-pop, and dance music.
Artists and iconic figures
The decade revealed or consecrated figures of incomparable artistic stature:
- Led Zeppelin — the lords of hard rock, virtuosic and mystical.
- David Bowie — a brilliantly chameleonic figure, from Ziggy Stardust to the Thin White Duke.
- ABBA — the Swedish masters of universal melodic pop.
- Queen — rock opera and arena rock brought to their absolute peak.
- Elton John — pianist and singer of a flamboyant and irresistible style.
- Stevie Wonder — an absolute genius of soul, funk and pop.
- The Bee Gees — kings of pop and then of disco, with their unforgettable falsetto voices.
- Pink Floyd — the explorers of progressive and psychedelic rock.
- Eagles — the sound of 1970s California, between rock and country.
- Bob Marley — the global ambassador of reggae and Rastafarian philosophy.
- Marvin Gaye — the artist-as-conscience, poet of socially engaged soul.
- Bruce Springsteen — the emergence of the American working-class rocker.
World music in the 1970s
The 1970s were the scene of an extraordinary flowering of non-Western music, long before the term world music was officially coined. In Jamaica, Bob Marley & The Wailers spread reggae to every corner of the world, carrying with it the messages of Rastafarian philosophy and anti-colonial demands. The album Catch a Fire (1973) marked the first real international breakthrough of Jamaican reggae.
In West Africa, the decade saw the explosion of Afrobeat with the Nigerian Fela Kuti, a musical genius and political activist whose sprawling compositions blended jazz, funk, and African percussion to denounce corruption and neo-colonialism. In Latin America, New York salsa (born from Puerto Rican communities in the Bronx) conquered dance floors worldwide with artists such as Celia Cruz, Willie Colón, and Héctor Lavoe.
In India, Hindustani classical music found an unexpected resonance in the West through the collaborations of Ravi Shankar with George Harrison and the Concert for Bangladesh (1971). In Brazil, MPB (Música Popular Brasileira) flourished with Caetano Veloso, Gilberto Gil, and Milton Nascimento, blending bossa nova, samba, rock, and African influences in an extraordinary creative syncretism.
Legacy and lasting influence
The legacy of the 1970s is immense and touches virtually every contemporary musical genre. Hip-hop, born at the end of the decade in the South Bronx, owes everything to the funk and soul of the 1970s, which it samples relentlessly. The house music and techno of the 1980s descend directly from disco and from the electronic experiments of Kraftwerk and Cerrone. Contemporary post-punk and independent rock draw deeply from the punk movement of 1976–1977.
The albums of the 1970s still constitute an absolute frame of reference for musicians, producers, and critics today. Pink Floyd’s Dark Side of the Moon remained in the American charts for over fourteen years. The Eagles’ Hotel California is one of the best-selling albums in history. The songs of the Bee Gees, ABBA, Stevie Wonder, and Queen have become timeless standards of worldwide karaoke, hummed and covered by successive generations on every continent.
Ultimately, the 1970s represent the moment when popular music fully reached its artistic maturity: capable of being simultaneously great art and entertainment, engagement and escapism, innovation and tradition. A decade whose ripples continue to be heard in every new record released today.
🇫🇷 Top 50 — Most Popular Songs of the 1970s in France
Ranking compiled from record sales in France, radio airplay (RTL, Europe 1, France Inter), SNEP charts, and lasting cultural impact on the French public.
| # | Title | Artist | Year | Genre |
|---|---|---|---|---|
| 1 | La Marseillaise des fleurs / Alexandrie Alexandra | Claude François | 1978 | Disco / French pop |
| 2 | Alexandrie Alexandra | Claude François | 1978 | Disco / French pop |
| 3 | L’Été indien | Joe Dassin | 1975 | French pop |
| 4 | Les Champs-Élysées | Joe Dassin | 1970 | French pop |
| 5 | La Ballade des gens heureux | Gérard Lenorman | 1975 | French chanson |
| 6 | Santiano | Hugues Aufray | 1961 / lasting success in the 70s | French chanson |
| 7 | La vie devant soi | Mort Shuman | 1977 | French chanson |
| 8 | Je l’aime à mourir | Francis Cabrel | 1979 | Pop / French folk |
| 9 | Il est libre Max | Hervé Cristiani | 1981 / born late 70s | French chanson |
| 10 | La Paloma Adieu | Claude François | 1975 | French pop |
| 11 | Le Téléphone pleure | Claude François | 1973 | French pop |
| 12 | Et si tu n’existais pas | Joe Dassin | 1975 | French pop |
| 13 | À toi | Joe Dassin | 1977 | French pop |
| 14 | La Maladie d’amour | Michel Sardou | 1973 | French chanson |
| 15 | Je vais t’aimer | Michel Sardou | 1976 | French chanson |
| 16 | La Femme que j’aime | Michel Sardou | 1975 | French chanson |
| 17 | Waterloo | ABBA | 1974 | International pop |
| 18 | Dancing Queen | ABBA | 1976 | Pop / Disco |
| 19 | Fernando | ABBA | 1976 | International pop |
| 20 | Stayin’ Alive | Bee Gees | 1977 | Disco |
| 21 | How Deep Is Your Love | Bee Gees | 1977 | Pop / Disco |
| 22 | Bohemian Rhapsody | Queen | 1975 | Rock / Art Pop |
| 23 | We Will Rock You | Queen | 1977 | Arena rock |
| 24 | Rocket Man | Elton John | 1972 | Pop / Rock |
| 25 | Crocodile Rock | Elton John | 1972 | Pop / Rock |
| 26 | Hotel California | Eagles | 1977 | Rock / Country Rock |
| 27 | Knock on Wood | Amii Stewart | 1979 | Disco / Soul |
| 28 | I Will Survive | Gloria Gaynor | 1978 | Disco / Soul |
| 29 | Le Freak | Chic | 1978 | Disco / Funk |
| 30 | No More I Love You’s | Annie Lennox (orig. 70s) | 1977 | New Wave / Pop |
| 31 | Laisse-moi danser (Monday Tuesday) | Dalida | 1979 | Disco / French pop |
| 32 | Gigi l’Amoroso | Dalida | 1974 | Italian / French chanson |
| 33 | Il venait d’avoir 18 ans | Dalida | 1973 | French pop |
| 34 | Le Jardin du Luxembourg | Maxime Le Forestier | 1975 | Folk / French chanson |
| 35 | Mon frère | Maxime Le Forestier | 1972 | Folk / French chanson |
| 36 | San Francisco | Maxime Le Forestier | 1972 | Folk / French chanson |
| 37 | Laisse aller | Michel Polnareff | 1972 | French pop / Rock |
| 38 | Que je t’aime | Johnny Hallyday | 1969 / lasting success in the 70s | Rock / French pop |
| 39 | Supernature | Cerrone | 1977 | Disco / Electronic |
| 40 | Love in C Minor | Cerrone | 1976 | Disco |
| 41 | Un autre monde | Téléphone | 1979 | French rock |
| 42 | Anna | Téléphone | 1979 | French rock |
| 43 | Mrs. Robinson | Simon & Garfunkel | lasting success in the 70s | Folk / Pop |
| 44 | A Horse With No Name | America | 1971 | Folk Rock |
| 45 | American Pie | Don McLean | 1971 | Folk Rock |
| 46 | Feelings | Morris Albert | 1974 | Pop / Soft Rock |
| 47 | Ma Liberté de Penser | Florent Pagny | late 70s / 80s–90s success | French pop |
| 48 | Du côté de chez Swann | Alain Souchon | 1978 | French chanson / New Wave |
| 49 | J’ai dix ans | Alain Souchon | 1974 | French chanson |
| 50 | Le Chanteur | Daniel Balavoine | 1978 | French pop rock |
🎵 Top 50 — Most Popular Songs of the 1970s Worldwide
Ranking compiled from global sales figures, international radio airplay, and lasting cultural impact.
| # | Title | Artist | Year | Genre |
|---|---|---|---|---|
| 1 | Bohemian Rhapsody 🏆 Legendary | Queen | 1975 | Rock / Art Pop |
| 2 | Hotel California | Eagles | 1977 | Rock / Country Rock |
| 3 | Stayin’ Alive | Bee Gees | 1977 | Disco |
| 4 | Dancing Queen | ABBA | 1976 | Pop / Disco |
| 5 | Stairway to Heaven | Led Zeppelin | 1971 | Hard Rock / Folk |
| 6 | I Will Survive | Gloria Gaynor | 1978 | Disco / Soul |
| 7 | Superstition | Stevie Wonder | 1972 | Funk / Soul |
| 8 | Rocket Man | Elton John | 1972 | Pop / Rock |
| 9 | Let’s Stay Together | Al Green | 1971 | Soul / R&B |
| 10 | American Pie | Don McLean | 1971 | Folk Rock |
| 11 | Bridge Over Troubled Water | Simon & Garfunkel | 1970 | Folk / Pop |
| 12 | Waterloo | ABBA | 1974 | Pop |
| 13 | Le Freak | Chic | 1978 | Disco / Funk |
| 14 | Born to Run | Bruce Springsteen | 1975 | Rock |
| 15 | War | Edwin Starr | 1970 | Soul / Protest |
| 16 | What’s Going On | Marvin Gaye | 1971 | Soul |
| 17 | Come Together | The Beatles (70s reissue) | 1969 / 70s | Rock |
| 18 | Imagine | John Lennon | 1971 | Pop / Rock |
| 19 | Paranoid | Black Sabbath | 1970 | Heavy Metal |
| 20 | Free Bird | Lynyrd Skynyrd | 1973 | Southern Rock |
| 21 | Heart of Gold | Neil Young | 1972 | Folk Rock |
| 22 | More Than a Feeling | Boston | 1976 | Arena Rock |
| 23 | Go Your Own Way | Fleetwood Mac | 1977 | Rock |
| 24 | Dreams | Fleetwood Mac | 1977 | Rock / Pop |
| 25 | Goodbye Yellow Brick Road | Elton John | 1973 | Pop / Rock |
| 26 | Angie | Rolling Stones | 1973 | Rock |
| 27 | We Will Rock You | Queen | 1977 | Arena rock |
| 28 | Night Fever | Bee Gees | 1977 | Disco |
| 29 | Ring My Bell | Anita Ward | 1979 | Disco |
| 30 | Take Me Home, Country Roads | John Denver | 1971 | Country / Pop |
| 31 | Piano Man | Billy Joel | 1973 | Pop / Rock |
| 32 | My Sweet Lord | George Harrison | 1970 | Pop / Rock |
| 33 | Crocodile Rock | Elton John | 1972 | Pop / Rock |
| 34 | Amoureuse | Kiki Dee | 1973 | Pop |
| 35 | Fernando | ABBA | 1976 | Pop |
| 36 | How Deep Is Your Love | Bee Gees | 1977 | Pop / Disco |
| 37 | Suspicious Minds | Elvis Presley | 1969 / lasting success in the 70s | Rock / Pop |
| 38 | Knocking on Heaven’s Door | Bob Dylan | 1973 | Folk / Country |
| 39 | Year of the Cat | Al Stewart | 1976 | Soft Rock |
| 40 | Killing Me Softly | Roberta Flack | 1973 | Soul / Pop |
| 41 | Baker Street | Gerry Rafferty | 1978 | Soft Rock / Pop |
| 42 | Don’t Stop Me Now | Queen | 1978 | Rock / Pop |
| 43 | Smoke on the Water | Deep Purple | 1972 | Hard Rock |
| 44 | Eye of the Tiger | Survivor | late 70s / 1982 | Hard Rock |
| 45 | Vienna | Ultravox | 1980 / roots in the 70s | New Wave / Synth-pop |
| 46 | Living Next Door to Alice | Smokie | 1976 | Pop / Rock |
| 47 | Nights in White Satin | Moody Blues | 1967 / lasting success in the 70s | Progressive Rock |
| 48 | I Shot the Sheriff | Eric Clapton | 1974 | Rock / Reggae |
| 49 | Lay Down Sally | Eric Clapton | 1977 | Rock / Country |
| 50 | It’s a Long Way to the Top | AC/DC | 1975 | Hard Rock |
🌍 Top 50 — World Music of the 1970s
An international selection covering Africa, Latin America, the Caribbean, the Middle East, Asia, and non-Anglophone Europe.
| # | Title | Artist | Country / Region | Genre |
|---|---|---|---|---|
| 1 | No Woman, No Cry 🌿 Legendary | Bob Marley & The Wailers | Jamaica | Reggae |
| 2 | Redemption Song | Bob Marley | Jamaica | Reggae / Folk |
| 3 | Get Up Stand Up | Bob Marley & The Wailers | Jamaica | Reggae |
| 4 | Lady Africa | Fela Kuti | Nigeria | Afrobeat |
| 5 | Zombie | Fela Kuti | Nigeria | Afrobeat |
| 6 | Pedro Navaja | Rubén Blades | Panama / USA | Salsa |
| 7 | Quimbara | Celia Cruz & Johnny Pacheco | Cuba / USA | Salsa |
| 8 | El Día de Mi Suerte | Héctor Lavoe | Puerto Rico | Salsa |
| 9 | La Murga | Willie Colón | USA / Latino | Salsa |
| 10 | Aquarela do Brasil | Gal Costa | Brazil | MPB / Tropicália |
| 11 | Tigresa | Caetano Veloso | Brazil | MPB / Samba Rock |
| 12 | Travessia | Milton Nascimento | Brazil | MPB |
| 13 | Geleia Geral | Gilberto Gil | Brazil | MPB / Tropicália |
| 14 | Saudade faz um Rio | Elis Regina | Brazil | MPB / Samba |
| 15 | Pata Pata | Miriam Makeba | South Africa | Township / World |
| 16 | Malaika | Miriam Makeba | South Africa | World |
| 17 | Ma Baker | Boney M. | Germany (Caribbean origins) | Disco / Reggae |
| 18 | Rivers of Babylon | Boney M. | Germany (Jamaican origins) | Disco / Reggae |
| 19 | Rasputin | Boney M. | Germany | Disco / Pop |
| 20 | The Harder They Come | Jimmy Cliff | Jamaica | Reggae |
| 21 | Pressure Drop | Toots & The Maytals | Jamaica | Reggae / Ska |
| 22 | Y Viva España | Sylvia | Sweden / Spain | European pop |
| 23 | El Condor Pasa | Los Calchakis / Simon & Garfunkel | Peru / USA | Andean folk |
| 24 | La Bamba | Ritchie Valens (lasting success in the 70s) | Mexico / USA | Rock / Ranchera |
| 25 | Conga | Miami Sound Machine | USA / Cuba | Latin Pop |
| 26 | Bamboleo | Gipsy Kings (70s precursors) | France / Spain | Flamenco Pop |
| 27 | Raga Bhairava | Ravi Shankar | India | Indian classical music |
| 28 | Chega de Saudade | João Gilberto | Brazil | Bossa Nova |
| 29 | A Man and His Music | Ali Hassan Kuban | Egypt | Nubian / World |
| 30 | Fen Ayrilik | Barış Manço | Turkey | Anatolian Rock |
| 31 | Kara Toprak | Aşık Veysel (70s success) | Turkey | Turkish folk / Ashik |
| 32 | Guantanamera | Celia Cruz | Cuba | Cuban son |
| 33 | Bésame Mucho | Multiple artists | Mexico | Bolero |
| 34 | Paloma Negra | Chavela Vargas | Mexico | Ranchera |
| 35 | El Rey | Vicente Fernández | Mexico | Ranchera |
| 36 | Super Woman | Stevie Wonder (worldwide influences) | USA | Funk / Soul |
| 37 | Africa | Osibisa | Ghana / UK | Afrobeat / Rock |
| 38 | Jingo | Babatunde Olatunji | Nigeria | Afrobeat |
| 39 | Night Bird | Kalapana | Hawaii / USA | AOR / Smooth Rock |
| 40 | Shosholoza | Traditional (70s cover) | South Africa | Zulu / World |
| 41 | Feeling Good | Nina Simone | USA | Soul / Jazz |
| 42 | Summertime | Nina Simone | USA | Soul / Jazz |
| 43 | Chan Chan | Compay Segundo | Cuba | Cuban son |
| 44 | Killing Me Softly | Roberta Flack | USA | Soul / Pop |
| 45 | African Queen | Miriam Makeba | South Africa | World / Jazz |
| 46 | Ayo Technology | Sunny Ade (precursors) | Nigeria | Jùjú Music |
| 47 | Hot Hot Hot | Arrow (70s roots) | Montserrat | Soca / Calypso |
| 48 | Sabor a Mí | Los Panchos | Mexico / Colombia | Bolero |
| 49 | Kaini Sisi | Franco & TPOK Jazz | Congo | Congolese rumba |
| 50 | Mas que Nada | Sergio Mendes & Brasil ’66 | Brazil | Bossa Nova / Samba |
🎬 Top 30 — Most Popular Music Videos of the 1970s
Note: the music video was still a nascent format in the 1970s. The first promotional videos were broadcast on television programmes such as Top of the Pops (BBC), L’émission de variétés (France), American Bandstand, and The Old Grey Whistle Test. MTV would not be born until 1981.
| # | Video / Title | Artist | Year | Significance |
|---|---|---|---|---|
| 1 | Bohemian Rhapsody 🏆 Pioneer | Queen | 1975 | Bruce Gowers — the first cinematic video clip with major television impact, broadcast on Top of the Pops |
| 2 | Waterloo | ABBA | 1974 | Eurovision clip — victory broadcast across Europe; ABBA’s first video clip with international reach |
| 3 | Dancing Queen | ABBA | 1976 | Lasse Hallström — festive and colourful style, widely broadcast on European television |
| 4 | Money for Nothing | Dire Straits | 70s roots | — a forerunner of animation in music videos |
| 5 | Imagine | John Lennon | 1971 | Yoko Ono / John Lennon — simple piano clip with a universal pacifist message |
| 6 | Space Oddity | David Bowie | 1969 / relaunched 1972–73 | Mick Rock — Bowie embodying astronaut Major Tom, proto-glam aesthetic |
| 7 | Life on Mars? | David Bowie | 1973 | Mick Rock — minimalist photographic clip, already a cult classic |
| 8 | Ziggy Stardust | D. A. Pennebaker / David Bowie | 1973 | Concert documentary — one of the first rock concert films |
| 9 | Stayin’ Alive | Bee Gees | 1977 | Extract from the film Saturday Night Fever — John Badham, starring John Travolta |
| 10 | Video Killed the Radio Star | The Buggles | 1979 | Russell Mulcahy — first video of the proto-MTV era, highly avant-garde for its time |
| 11 | Bat Out of Hell | Meat Loaf | 1977 | Michael Lee-Chiong — epic production, visual rock opera |
| 12 | Hotel California | Eagles | 1977 | Live performances broadcast on TV — iconic images of 1970s America |
| 13 | I Will Survive | Gloria Gaynor | 1978 | — simple stage-shot clip, universally celebrated message of resilience |
| 14 | Ma Baker | Boney M. | 1977 | Russell Mulcahy — colourful and dynamic disco clip with strong European television impact |
| 15 | Rivers of Babylon | Boney M. | 1978 | — reggae-disco clip, widely broadcast on German and French television |
| 16 | Paranoid | Black Sabbath | 1970 | — the first heavy metal video clip in history, filmed live performance |
| 17 | Superstition | Stevie Wonder | 1972 | TV performance — The Ed Sullivan Show, Sesame Street, unforgettable |
| 18 | Take Me Home, Country Roads | John Denver | 1971 | — natural folk clip featuring American landscapes, widely broadcast in the USA |
| 19 | Fernando | ABBA | 1976 | Lasse Hallström — nostalgic and cinematic clip |
| 20 | Mamma Mia | ABBA | 1975 | Lasse Hallström — flamboyant costumes, widely broadcast across Europe |
| 21 | Anarchy in the U.K. | Sex Pistols | 1976 | — raw and iconoclastic punk clip, total aesthetic shock |
| 22 | God Save the Queen | Sex Pistols | 1977 | Julien Temple — controversial clip, censored by the BBC, symbol of the punk movement |
| 23 | Le Freak | Chic | 1978 | — high-calibre disco-funk clip, New York performance |
| 24 | Crocodile Rock | Elton John | 1972 | — extravagant costumes, infectious glam-pop energy |
| 25 | Don’t Stop Me Now | Queen | 1978 | Derek Burbridge — performative and jubilant, a memorable clip |
| 26 | Telegram Sam | T. Rex | 1972 | Ringo Starr (director) — glam rock, Marc Bolan in all his glory |
| 27 | School’s Out | Alice Cooper | 1972 | — the first provocative school-themed clip, shocking rock visuals |
| 28 | Ring My Bell | Anita Ward | 1979 | — pre-MTV disco clip, TV performances that caused a sensation |
| 29 | Midnight Rambler | Rolling Stones (concert) | Live 1972 | Robert Frank — filmed concert, Gimme Shelter / Ladies and Gentlemen, cult films |
| 30 | No Woman, No Cry | Bob Marley & The Wailers | 1975 (live) | Concert at the Lyceum Theatre, London — legendary live performance, documentary aesthetic |